- Owen Gleiberman, Entertainment Weekly
"Defiantly Original!"
- Thelma Adams, US Weekly
These are the two critic blurbs on my new copy of Joel and Ethan Coens' "A Serious Man", one of the two or three best movies of last year, which I finally managed to sit down and watch again after seeing it in theaters several months ago.
I don't know. Maybe it's the exclamation points, almost certainly provided by the package distributor (As they always are - Critics don't use exclamation points), and suggesting some kind of superficial, giddy fanboy hyperbole that so thoroughly mis-characterizes the Coens' achievement. "Funny" and "Original"? Is that all there is to "A Serious Man"? Every comedy is "Funny". I know this because the critic blurbs told me so. Do critics think "A Serious Man" is merely "funny", or do the distributors only want us to think so? Why did critics regard as merely funny(!) a film I approach with quiet reverie? Are they not seeing everything there is to see, or am I seeing something that isn't there?

