By Jonathan Fisher
Ron Howard’s Rush, a sports drama focusing on the famous rivalry in the 1970s between F1 drivers Niki Lauda and James Hunt, is a shiny product that clearly has high production values and an experienced hand behind the camera. Most of the technical aspects of this movie are first rate, including the performances of the two leads by Daniel Bruhl (who, so many years ago, was wonderful in Goodbye Lenin!) and Chris Hemsworth. There are driving sequences aplenty, and for the most part they’re easy to follow and enjoyable, with an added dramatic twist in that we know that F1 racing in the 1970s was far more dangerous than it is today, with the prospect of serious accident or death hanging over the competitors every time they sat behind the wheel.
Ron Howard’s Rush, a sports drama focusing on the famous rivalry in the 1970s between F1 drivers Niki Lauda and James Hunt, is a shiny product that clearly has high production values and an experienced hand behind the camera. Most of the technical aspects of this movie are first rate, including the performances of the two leads by Daniel Bruhl (who, so many years ago, was wonderful in Goodbye Lenin!) and Chris Hemsworth. There are driving sequences aplenty, and for the most part they’re easy to follow and enjoyable, with an added dramatic twist in that we know that F1 racing in the 1970s was far more dangerous than it is today, with the prospect of serious accident or death hanging over the competitors every time they sat behind the wheel.
